Portrait of Lottie Craven

Photography: Jennifer Hawthorn

Lottie Craven is a British soprano from Durham and a graduate of University College London, where she read Classics. She is currently studying for a Master of Performance in Vocal Studies at the Royal College of Music under Amanda Roocroft.

Her operatic roles include Abigail Williams in The Crucible (University College Opera, UK première), Susannah in Susannah (University College Opera), and Pamilie in Rameau’s La Naissance d’Osiris (University College Opera, UK première). She has also appeared in scenes as Donna Elvira (Don Giovanni), Irma (Louise), Madame Herz (Der Schauspieldirektor), and Miss Jessel (The Turn of the Screw). Recent engagements include Juliette in scenes from Roméo et Juliette at the Royal College of Music, as well as Fiordiligi in Così fan tutte scenes and the First Lady in Die Zauberflöte with the National Opera Studio.

Lottie has been selected for several of the UK’s leading young artist training programmes. In 2025 she joined the National Opera Studio Academy, where she is one of twelve singers selected from across the UK for the programme’s advanced professional training. She was previously one of nine singers selected nationally for the Glyndebourne Academy in 2024, and was a member of the Samling Academy from 2018 to 2020.

In 2025, she was selected as a Young Artist for the Bayreuth Festival, supported by the London Wagner Society and the Bayreuth Festspiele.

In 2026, she was named a HarrisonParrott Foundation Artist. She is also generously supported by the National Youth Arts Trust, the Michael James Music Trust, the Hywel Davies Trust for Young Musicians, the Emma Newton Award, the Kathleen Trust, the Yorkshire Ladies’ Council of Education and Sophie’s Silver Lining Fund.

Reviews

Lottie Craven as Abigail Williams in The Crucible, reaching upwards on stage
Abigail Williams · The Crucible

“His nemesis Abigail wore her wickedness with pride in Lottie Craven’s fluid and natural performance… [she] held the stage.”

— Peter Reed, Opera News (2024)

“…leaving Lottie Craven’s Susannah to carry the central conflict. Craven has a lovely, watchable ease to her, an unforced freshness. Her meatier soprano, silhouetted against the lighter voices, was striking, and she deployed colour and tone thoughtfully to carry us from light-hearted sibling play to the defiant rage of the end. The showpieces ‘Ain’t it a pretty night?’ and ‘The trees on the mountains’ were given plenty of shape.”

— Alexandra Coghlan, Opera News (2023)

“Lottie Craven superb in the title role. A wonderful production and performance of Carlisle Floyd’s masterpiece.”

— Clay Harris (2023)